Pablo Amaringo is renowned for his intricate, colourful paintings that are inspired by his shamanic visions. He was a master communicator of the ayahuasca experience. The outside world was first introduced to the work of the Peruvian artist Pablo Amaringo with the 1991 publication of the book Ayahuasca Visions: The Religious Iconography of a Peruvian Shaman, and since then he has been recognised as one of the world’s great visionary artists.

He was entirely self-taught, and able to paint with meticulous botanical precision the Amazonian landscapes and the essential mythic content of his visions. His paintings depict the visions that he received during his years of practice as an ayahuasquero (plant healer), they capture the spirits, sub-aquatic cities, celestial realms, extra-terrestrial beings of great wisdom, sorcerers in battle with shamans, all revealed to him by ayahuasca.

Pablo’s paintings are imbued with a supernatural quality, as he regarded them as physically manifested ícaros (sacred healing songs). Pablo chanted ícaros whilst he painted into them as though they were medicine. He explained:

I chant ícaros when I paint, so if ever a person wishes to receive teaching or healing, they should cover the painting with a cloth for two or three months. On the day they remove the cover, they should prepare themselves by bathing and meditating. When it is uncovered they will receive the power and knowledge of the ícaros that were sung into it.

In 1988 Pablo founded the Usko Ayar Amazonian School of Art in Pucallpa, dedicated to depicting and preserving the ways of life and indigenous knowledge of the Amazon. The work of the school has been tremendously influential and created what we now call ‘New Amazonian Art’. The author and plant spirit shamanic practitioner Steve Beyer wrote of Pablo’s work:

I think it is fair to say that the surge of foreigners seeking out ayahuasqueros in the Amazon, beginning in the mid-1990s, was driven in large part by Pablo’s extraordinary paintings. Indeed, as depictions of ayahuasca experiences have grown normative, it may be that in addition to the experience prescribing the art, the art is prescribing the experience.

I hope you enjoy this small sample of his paintings:

 

Pablo Amaringo
Pablo Amaringo – Photo: Howard Charing
Pablo Amaringo
“Los Grados del Curandero” – By Pablo Amaringo
Unicornio Dorado The Golden Unicorn by Pablo Amaringo
“Unicornio Dorado” (The Golden Unicorn) – By Pablo Amaringo
Unai Shipash (Musas del Tiempo y Espacio) by Pablo Amaringo
“Unai Shipash” (Musas del Tiempo y Espacio) – By Pablo Amaringo
Pablo Amaringo
“Lancha Fantasma” – By Pablo Amaringo
Pablo Amaringo
Pablo Amaringo with his painting “Templo Sacrosanto” – Photo: Howard Charing
Pablo Amaringo
Pablo Amaringo with his painting “Misterio Profundo” – Photo: Howard Charing
Pablo Amaringo
“Transformacion del Chamán en Aguila” – By Pablo Amaringo

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To learn more and to get a copy of the book The Ayahuasca Visions of Pablo Amaringo, visit ayahuascavisions.com.

Howard G. Charing

Howard G. Charing

Howard G. Charing is an author and visionary artist. He co-authored the books ‘Plant Spirit Shamanism’, and ‘The Ayahuasca Visions of Pablo Amaringo’. His latest book published in 2017 is ‘The Accidental Shaman’.
Howard G. Charing

Peter Cloudsley

Peter Cloudsley

Peter Cloudsley is a musicologist and writer who, since 1980, has created an archive of traditional music and interviews in Peru, collected for the British Museum. He published "A Survey of Music in Peru" in 1993.
Peter Cloudsley

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